Jonathan Oore is a medical student in the Class of 2019 at Dalhousie University
Artist’s Statement for Milgwija'sit Puoin An'stawe'g Wuguntew or Apprehensive about the future of the spirit-healer's fragile stone
This artist’s statement accompanies my artwork featured on the cover. Broadly, it is a comment on indigenous health.
Mi’kmaq art and craft is laden with straight lines, sometimes by necessity of the tools or materials used to produce them. The rays of the sun in the branching of a tree; the geodesics of a turtle’s shell within the modal phenomena of the ocean or tessellated through the moon; recursive, tortuous animal-in-animals; cross-hatched petroglyphs on (cylindrical) trees. A stark contrast between curved and straight is pitted and married over and over. The confluence and absence of the straightness, curvedness, and “curvilinearity” is the point—a point—the top of a wigwam, the poles of a canoe, the countless barbed tips of quillwork. ...continue reading →
is Deputy Editor at CMAJ. She is currently attending the in Charlottetown, PEI
Much as I love the Harry Potter books and love reading them to my kids, they’re a little too fictional for my taste, and I’m not talking about the magic. Thing is… kids who grow up with the chronic stress of abuse and near-starvation in their formative years seldom – actually pretty much never - go on to be high-functioning, top-of-their-class children with great self-restraint and a well-functioning moral compass. If you heap adversity on a child you’re more likely to get a Neville Longbottom / Tom Riddle mix, not our beloved Harry. So there’s something about me that feels awkward about feeding the Harry Potter fiction to my kids.
This was reinforced for me yesterday when I attended the first Canadian screening of the Sundance Festival film “” at the ( ...continue reading →