is a medical student in the Class of 2019 at the University of Toronto
It is well-known that workplaces strive for diversity and inclusion. Studies have shown that diversity improves productivity and contributes to creativity and new ideas. In medicine, this diversity is just as important. Having physicians from under-represented and marginalized communities provides unique views on what may be best for the patient. As medical schools continue to support new initiatives, such as specialized admission pathways for African American and Indigenous students, it is clear diversity is on the agenda. However, for those who are not of the majority ethnicity, diversity may not be enough. There also needs to be representation.
This idea was at the forefront of my mind during an elective rotation. After I had mentioned my interest in Indigenous health a number of times, I was asked by my attending whether I was of Indigenous background. I understood the hesitation, of course; sometimes it can make people feel uncomfortable to ask about your background or where you are from. Nonetheless, I was happy they had asked and I responded with a firm “yes.” ...continue reading →
Jonathan Oore is a medical student in the Class of 2019 at Dalhousie University
Artist’s Statement for Milgwija'sit Puoin An'stawe'g Wuguntew or Apprehensive about the future of the spirit-healer's fragile stone
This artist’s statement accompanies my artwork featured on the cover. Broadly, it is a comment on indigenous health.
Mi’kmaq art and craft is laden with straight lines, sometimes by necessity of the tools or materials used to produce them. The rays of the sun in the branching of a tree; the geodesics of a turtle’s shell within the modal phenomena of the ocean or tessellated through the moon; recursive, tortuous animal-in-animals; cross-hatched petroglyphs on (cylindrical) trees. A stark contrast between curved and straight is pitted and married over and over. The confluence and absence of the straightness, curvedness, and “curvilinearity” is the point—a point—the top of a wigwam, the poles of a canoe, the countless barbed tips of quillwork. ...continue reading →
is Deputy Editor at CMAJ. She is currently attending the in Charlottetown, PEI
Much as I love the Harry Potter books and love reading them to my kids, they’re a little too fictional for my taste, and I’m not talking about the magic. Thing is… kids who grow up with the chronic stress of abuse and near-starvation in their formative years seldom – actually pretty much never - go on to be high-functioning, top-of-their-class children with great self-restraint and a well-functioning moral compass. If you heap adversity on a child you’re more likely to get a Neville Longbottom / Tom Riddle mix, not our beloved Harry. So there’s something about me that feels awkward about feeding the Harry Potter fiction to my kids.
This was reinforced for me yesterday when I attended the first Canadian screening of the Sundance Festival film “” at the ( ...continue reading →